080708:
KOMPLETT
UTGAVE AV FRITZ LANGS FILM "METROPOLIS" (1925/1926)
I
et museumsarkiv i Argentina har man funnet scener som var klippet ut fra
"Metropolis", scener man trodde var tapt for altid. Dermed er det nå
mulig for første gang å på mange år å se
orginalversjonen av denne filmen. Da "Metropolis" hadde urpremiere i Tyskland
den 10.01.1927, Berlin, på "Ufa-Palast am Zoo", hadde den en spilletid
på 210 minutter, dvs at den var i ni akter og var på 4189 meter.
Men detsverre skjedde det at da filmen kom ut på det utenlandske
markedet, ble filmen klippet ned og scener ble fjernet for at den skulle
være mindre kontroversiell og for å tilpasse "det gyldne snittet"
som er på ca 90 minutter. Dermed var det faktisk bare det tyske publikum
som fikk filmen i sin orginale lengde. Efter all denne sensuren og omjusteringer
forsvant enkelte scener og i flere år har man trodd at 20 minutter
av filmen var tapt for alltid. Men nå er altså de 20 minuttene
funnet og "Friedrich-Wilhelm-Murnau Stiftung" har uttalt at den fullkomne
utgaven skal bli utgitt i løpet av 2009.
Bakgrunnen for
at filmen havnet i Argentina var at en argentinsk filmutleier i 1928 fått
fatt i en kopi av originalen, så den kunne vises for et argentinsk
publikum. Disse filmrullerne ble senere kjøpt opp en samler, Pena
Rodríguez, som ijgen solgte dem videre til Museo del Cine i Buenos
Aires. Da det samme museum nylig fikk en ny leder, Paula Félix-Didier,
oppdaget hun denne glemte filmen, og årsaken var fordi hennes eks-mann
hadde hørt rykter om at museet skulle ha en særlig lang film
som skulle ligge på lageret. I årevis skal en filmfanatiker,
ved navnet Fernando Pena, ha bedt museet om å sjekke arkivene sine,
men det var først i april i år at de tapte scenene så
dagens lys igjen. I følge museumskurator Martin Koerber, ved det
Tyske Cinematekets filmmuseum i Berlin, skal dette være Fritz Langs
originalversjon.
På hjemmesiden
til "Friedrich-Wilhelm-Murnau Stiftung" står det følgende:
Sensational
discovery in Buenos Aires: Lost scenes from “Metropolis” rediscovered
Staff members
of the Museo del Cine Pablo C. Ducros Hicken in Buenos Aires, found the
missing scenes which had been considered lost up to now, in a 16mm Negative.
The tale of
the concision of “Metropolis” is well-known. The film is renowned for the
story of its restoration which began in the 1960s in the national Film
archive of the German Democratic Republic, to the source critical reconstruction
of the Film museum Munich (E. Patalas) in the 1980s, up until the film
was digitally restored through Mr. Martin Koerber on behalf of the Friedrich-Wilhelm-Murnau-Stiftung,
Wiesbaden in the year 2001. This restoration, which is based on the version
of the Film museum Munich and on materials of the Bundesarchiv-Filmarchiv
(Federal Archive / Filmarchive), Berlin, was completed not only with these
two institutions but also with other partners of the Deutscher Kinematheksverbund
(Association of German Film Archives)
In addition
to this, Enno Patalas developed a study version of the film in collaboration
with the University of Arts in Berlin. They supplemented the survived fragments
in their original relation to the film in written form or with pictures
and musical resources.
Because of
these survived sources, the hiatuses which weren’t able to be found even
after decades of research in national and international Film archives and
private converts, were sorely cognizant.
Pictures gave
us the impression of what was missing – the to a supernumerary reduced
figure of Georgy, the man named Slim, Josaphat, the car journey through
Metropolis, the observation of Georgy through Slim, Freders delirium of
Slim in which he changes into a apocalypse preaching monk. With this discovery
in Buenos Aires these scenes will finally come back to life. Even if the
quality of the picture is in a deplorable condition, thanks to the Argentinean
material, the
dream of the completion of “Metropolis” will finally come true.
According to
Anke Wilkening, restorer of the Murnau Foundation “Hitherto incomprehensible
is now intelligible, the sometimes puzzling relations of the figures among
each other now make sense.” The story of the instauration can now come
to an end.
Helmut Poßmann,
managing director of the Murnau Foundation states that: “In continuance
of the restoration from 2001, the Murnau Foundation would very much like
to compile a complete version of the film together with the former partners
and the Museo del Cine Pablo C. Ducros Hicken in Buenos Aires and to open
it to the public, all the more because “Metropolis” is the first film which
has been affiliated in this restored version from 2001 – safety lug Nr.
1 – to the Memory of the World register of the UNESCO.”
“This sensational
discovery places the Murnau Foundation into a position being able to restore
the film to a very large degree. That way it could be achieved to come
as close to the masterwork of Fritz Lang as never before possible and present
it to the world”, says Eberhard Junkersdorf, head of the board of trustees.
guardian.co.uk,
Friday July 4 2008:
The discovery
of scenes from Fritz Lang's 1927 silent sci-fi epic Metropolis is fascinating.
Half-an-hour of running time, fully one-fifth of the original movie, was
for decades considered hopelessly lost. Now the complete film can be viewed
for the first time in 80 years or the first time, in fact, since it premiered
in Weimar Berlin, was hissed at by the press, and ignominiously chopped
down for foreign distribution. But will the missing 30 minutes "explain"
this sprawling and operatic movie? Or just make it more baroque, more mysterious,
and madder than ever?
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